John Toya of Ike Kligerman Barkley Architects
Last week I took a trip to San Francisco to do some shopping for my latest project in the Design Center and decided to make the most of the day by attending a Lunch and Learn. The event was part of San Francisco Design Center’s Designers’ Wednesday series and was sponsored by ASID and the Institute of Classical Architecture & Art, both of which I am a member. The wonderful speaker of the day was John Toya of Ike Kligerman Barkley Architects and his topic was Houses: An Art of Collaboration.
John Toya began the lecture with a poetic synopsis of how his firm tackles design projects. Mr. Toya described how architects must act as conductors to make their projects sing. I find this also applies to my job as an interior designer. Constant communication with your client, vendors, contractors, installers, and architect are essential. The first project John Toya talked about was one of the first his firm completed in San Francisco. Mr. Toya actually started the Ike Kligerman Barkley Architect firm in San Francisco because of his great love for the city. The project designed by the firm was an apartment in San Francisco. The clients requested a design that would showcase the antiques of various styles that they had collected over the years. Each room was to have a style and to be adorned with pieces that matched that styling. The apartment features actual antique remnants from Paris that are incorporated into the architectural detailing. The artisans who installed and finished the rooms were also brought over from Paris. The result is room after room of gorgeous details all personalized per the customers request.
John Toya described many projects and the design process utilized in each. I found his project done on Martha’s Vineyard particularly interesting because of the challenges they faced with the home owners having opposite styles and approaches to design. The wife wanted a bare bones modern design that incorporated sustainable design while the husband wanted a traditional Cape Cod style home. John Toya and his team at Ike Klingerman Barkley Architects designed a space that was an amazing compromise of two very different styles. The interior seamlessly blends the plank materials of the traditional Cape Cod style in a modern rectilinear form as seen in the dramatic entry space.
John Toya concluded by saying how grateful he is to work in a firm that is not confined by style and ego, but instead empowered by classical architectural concepts and propelled by accommodations for their clients. Ike Kligerman Barkley Architects’ attention to detail and focus on personalization for their clients has resulted in an inspiring assortment of beautiful architecture. To see more of their work visit: http://ikba.com
As an emerging Interior Design professional, I find myself constantly seeking inspiration for design projects. Looking to designers like Barbara Barry helps me to figure out how other designers find inspiration throughout their iconic careers. Barbara Barry’s latest book “Around Beauty” has led me to realize that nature can be a source of eternal inspiration. In Ms. Barry’s book she walks us through her daily life as a designer and how she finds inspiration everywhere she goes. She states that many times her color palette for a room can be influenced by something as simple as a pistachio. Ms. Barry says, “crack it open and discover the impeccable pairings of lavender and lime, ivory and tusk. Looking closely, you will see a pistachio’s influence in my work: beached oak floors, pale green walls, and hints of lavender in pillows and trims.”
Nature offers us dynamic color combinations, all we must do is go outside and absorb. I am overjoyed as I read Ms. Barry’s passionate words about the colors that inspire her work. Citrine, a color that I recently grew to love especially when paired with a rich emerald purple, is also one of Barbara Barry’s favorite colors. Ms. Barry says, “Citrine is liquid light, and this jewel of a color pops up throughout my day in the thin smear of olive oil on an all-white plate…”
Barbara Barry’s favorite color in nature is the color of a fig. “There’s something delicious about a fig’s powdery surface conjuring up dark velvets and luscious silks–it’s deep color can be an exclamation mark of dark in a pale room.” It is so intriguing to me to read Ms. Barry’s words and to see how she see’s the world, so pure yet abstract.
I recommend Barbara Barry’s book “Around Beauty” to any designer or non-designer in need of inspiration. Indeed inspiration is the greatest feeling someone can have and as Ms. Barry reveals, “I feel my most alive on the edge of an idea…my heart beats fast and I feel my most confident.” In closing, go outside and get INSPIRED!
Julia Morgan has been an inspirational talent in my design career since I was given the amazing opportunity to work on a project at the one and only Julia Morgan design house in Sacramento in 2000. The gorgeous historic home designed in 1918 breathes nostalgia back into Sacramento, has been owned by Sacramento State University since the 1960’s. Through research I knew the pioneering spirit of Julia Morgan. She was the first female licensed architect in California and she achieved this by receiving a degree from Ecole Nationale Superieure des Beaux-Arts in Paris, where she was the first female admitted as well. I thought it only fitting to pay homage to this remarkable woman by making a pilgrimage through the streets of Paris to see the school she attended and the places she lived.
During Julia’s five years in Paris she inhabited three apartments throughout the 6th androssiment. The first apartment was located at 4 Rue de la Chevereuse. The crisp white of the facade is contrasted by the large black paneled doors of the entry. Today the building is used as a satellite of Columbia University and works to establish partnerships between America and European scholars. During Julia Morgan’s time the building housed American students pursuing their degrees in Paris.
Julia’s second apartment was located at 7 Rue Honore Chevalier. This building which was constructed in 1891 would have been less than a decade old when Julia Morgan lived in it. The rustic brick mixed with iron work exemplifies classic French architecture.
The third apartment Julia lived in was 15 Rue Guenegaud. The high gloss rich emerald green doors are flanked by tiny boutiques on the street level with apartments on the three floors above. This apartment is the closest to the school of the three and is within close proximity to La Siene river. I imagine this was Julia’s most treasured apartment during her stay in Paris.
After leaving Julia’s third apartment I journeyed to Ecole Nationale Superieure des Beaux-Arts where Julia received her degree in Architecture. Just beyond the gates to the school you are greeted by ancient architectural ruins displayed in the courtyard.
The grand courtyard transitions students and guests from the street and into the glass ceiling space of an interior courtyard.
The colors and motifs of this space are inspired by Pompeian architecture.
As I was walking up to the front gate of the school I was delighted to see three architecture students, two of which female, with projects in tow. I talked briefly with these students and was truly inspired to see young and eager designers pursuing their passions.
My adventurous spirit was stimulated as I followed in the footsteps of the inspirational talent, Julia Morgan. With Julia Morgan’s legacy of over 700 designed buildings in California and her treasured design located on our T St. here in Sacramento, her designs will be forever remembered as harmoniously classic architecture.
“My buildings will speak for themselves” Julia Morgan
South Hampton Main Street
Classical American Facade
What could be better than a visit to the East Coast – roaming through New York up the Hudson River Valley and down to the Hamptons – to confirm my love for our wonderful American classical style? This crisp, simple design style began in the early days of our country’s history and has been revived many times since. You can see many elements of this style are understated, reflecting balance and proportion.
This hand painted mural makes a beautiful statement in the Entry Hall.
The Blue Room
Most West Coast homeowners have not readily embraced American Classical style, but Tony & Jenifer Russo knew it would work perfectly for the home they were constructing in El Dorado Hills. As East Coast “wannabes,” this two-career political couple quickly seized the opportunity to distinguish their home from many of their contemporaries who were selecting a French Country style.
For their entry hall, we collaborated on a primitive mural painted to imitate the work of itinerant artists of colonial America in the 18thcentury. Across from the dining room, the drawing room is dubbed “the Blue Room,” as the one in the White House. When the Sierra foothills get winter snowfall, you can easily believe you’ve been transported to the heart of New England!
Wintertime in the Sierra Foothills.
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